12 Main Street, Rockport MA. 01966 978.546.6604

AUCTION CATALOG 2004:  RESULTS

Browse by photos only

Please note: Each listing is followed by an estimate range. 

 

1.         Mildred Jones (1899-1992) Watercolor Sketches, Sketch Book, 13 x91/2”, Cond. Fair, One Sketch Signed.    300/500

2.         Lester Hornby (1882-1956) Watercolor, Rocky Neck Marine Railway, E. Gloucester, 14 x201/2”, Cond. Very Good, Signed.        1,500/1,800

3.         John Wentworth (RAA 1969-1994, d.1994) Watercolor, Lane’s Cove, 10 x14”, Cond. Excellent, Signed.      400/600

4.         Jacob Greenleaf (1887-1968) Oil on Canvas, Early Morning, 20 x24”, Cond. Good, Signed.            2,500/3,500

5.         John Wentworth (RAA 1969-1994, d.1994) Watercolor, Pleasant Street, 91/2 x131/2”, Cond. Excellent, Signed.    400/600

6.         Paul Strisik (1918-1998) Oil on Canvas, Pewter Shop, 16 x20”, Cond. Very Good, Signed.  3,000/4,000

7.         Antonio Cirino (1888-1983) Oil on Canvas, Village Lane, 24 x30”, Cond. Very Good, Signed.  3,000/5,000

8.         Jack Callahan (1912-1983) Watercolor, Portrait, 121/4 x91/2”, Cond. Good, Signed.           600/800

9.         Lester Hornby (1882-1956) Mixed Media, Skating in the Public Garden, 73/4 x91/2”, Cond. Very Good, Signed.       600/800

10.      Marshall Joyce (1912-1998) Watercolor, Pen Berth Cove, Cornwall, 211/2 x291/4”, Cond. Very Good, Signed.  1,200/1,500

11.      Paul Strisik (1918-1998) Oil on Board, Winter Scene, 71/2 x111/2”, Cond. Very Good, Signed.  1,200/1,500

12.      Bernard Corey (1914-2000) Oil on Masonite, Just South of Jamaica, VT, 9 x14”, Cond. Excellent, Signed.   1,200/1,500

13.      Charles Kaelin (1858-1929) Pastel, Kaelin‘s Woods, 171/2 x151/2”, Cond. Very Good, Signed.  2,000/3,000

14.      Charles Vickery (1913-1998) Oil on Canvas, Outward Bound, Gloucester, 24 x30”, Cond. Excellent, Signed. 3,000/5,000

15.      Ruth Jewell (RAA 1948-1999, d.1999) Oil on Canvas, Summer Party, 24 x20”, Cond. Very Good, Signed.     300/500

16.      Henry Gasser (1909-1981) Watercolor, Early Morning, Rome, 71/2 x91/2”, Cond. Very Good, Signed.   600/800

17.      Frederick Mulhaupt (1871-1938) Oil on Board, Fall Landscape, 8 x10”, Cond. Very Good, Signed.   2,000/3,000

18.      Thaddeus Klodnicki (1904-1982) Watercolor, Essex Marshes, 21 x28”, Cond. Very Good, Signed.   1,500/2,500

19.      J.A. Cook (1870-1936) Watercolor, Gloucester Harbor, 71/4 x103/4”, Cond. Excellent, Signed.    500/700

20.      A.N. Davis (1904-1999) Oil on Board, Gloucester Docks, 10 x12”, Cond. Good, Signed.           600/800

21.      Milton Holm (1909-1999) Oil on Canvas, Spring Landscape, 25 x30”, Cond. VERY GOOD, Signed.  1,500/2,000

22.      Alfred Czerepak (1928-1986) Oil on Board, Portrait of Old Man, 18 x12”, Cond. Good, Signed.             700/900

23.      Jerri Ricci (1916-1996) Watercolor, Beach at Low Tide, 10 x131/2”, Cond. Good, Signed.            600/800

24.      Theresa Bernstein (1891-2002) Oil ON CANVAS, Shoppers at a Marketplace, 91/2 x121/4”, Cond. Very Good, Signed. 3,500/4,500

25.      Alfred Czerepak (1928-1986) Watercolor, Guitar Player, 15 x18”, Cond. Very Good, Signed.  1,200/1,500

26.      J.A. Cook (1870-1936) Watercolor, Schooner, 131/4 x61/2”, Cond. Fair, Signed.           300/400

27.      Charles Vickery (1913-1998) Oil on Board, Gloucester Fishing Boat, 14 x11”, Cond. Very Good, Signed.     800/1,200

28.      Charles Vickery (1913-1998) Oil on Board, Hale Street, Rockport, 11 x14”, Cond. Very Good, Signed.     1,500/2,000

29.      John Chetcuti (1900-1976) Watercolor, Lobster Boats in Harbor, 12 x15”, Cond. Good, Signed.  600/800

30.      Bernard Corey (1914-2000) Oil on Board, Before the Rain, 10 x16”, Cond. Very Good, Signed.   1,500/1,800

31.      Bernard Corey (1914-2000) Oil on Paper, Mountain Farm, 9 x12”, Cond. Excellent, Signed.   1,200/1,500

32.      Louise Kalish (20th Cent.) Oil on Canvas, Dancers, 36 x36”, Cond. Good, Signed.           600/900

33.      Attributed to Theresa Bernstein (1891-2002) Oil on Board, The Garden of Eden, 7 x5”, Cond. Good, Not Signed (design for stained glass).   2,000/3,000

34.      Frank Beatty (1899-1984) Oil on Board, Hatfield‘s, 73/4 x10”, Cond. Very Good, Signed.           200/400

35.      John K. Thurston (1865-1953) Watercolor, Gloucester Wharfs, 10 x13”, Cond. Very Good, Signed.   500/700

36.      Bernard Green (1887-1951) Oil on Canvas Mounted on Board, Sisters on the Dock, 12 x16”, Cond. Very Good, Signed.    800/1,000

37.      Anthony Thieme (1888-1954) Oil on Board, Fishing Boats, 14 x163/4”, Cond. Good, Signed.            6,000/8,000

38.      Samuel Hershey (1904-1987) Oil on Canvas, Still Life – Gourds & Glass, 30 x36”, Cond. Good, Signed.        2,000/3,000

39.      Edward A. Harvey (Late 19th/Early 20th Cent.) Watercolor, Afternoon Surf, 61/2 x121/2”, Cond. Very Good, Signed.      300/500

40.      Charles H. Richert (1880-1974) Oil on Canvas Mounted on Board, White House on the Hill, 8 x10”, Cond. Good, Signed. 700/900

41.      Joseph Rimini (1920-2000) Oil on Canvas, Back Beach, Rockport, 20 x24”, Cond. Very Good, Signed.     900/1,200

42.      J. Thurston Marshall (RAA 1961-1982, d.1982) Acrylic, Lighthouse, 9 x111/4”, Cond. Good, Signed.          500/700

43.      Morris Hall Pancoast (1877-1963) Oil on Board, Late Winter in Rockport, 14 x14”, Cond. Good, Signed. 3,000/3,500

44.      William Meyerowitz (1898-1981) Oil on Board, Floral Still Life, 28 x24”, Cond. Very Good, Signed.     2,000/4,000

45.      W. Lester Stevens (1888-1969) Oil on Board, Wharf at Vinalhaven, Maine, 20 x24”, Cond. Very Good, Signed.           4,000/5,000

46.      Charles Vickery (1913-1998) Oil on Canvas, Surf at Andrews Point, 20 x24”, Cond. Very Good, Signed.     1,000/2,000

47.      Anthony Thieme (1888-1954) Oil on CANVAS MOUNTED ON Board, Harbor Scene, Gloucester, 301/4 x201/4”, Cond. Very Good, Signed.  12,000/15,000

48.      Harry A. Vincent (1864-1931) Pencil, Italian Lace, 13 x91/2”, Cond. Good, Signed.           250/400

49.      Umberto Romano (1905-1982) Lithograph, Untitled, 91/2 x131/2”, Cond. Very Good, Signed.  300/500

50.      Alfred Czerepak (1928-1986) Pencil Study, Lucia in Meditation, 9 x111/2”, Cond. Very Good, Signed.   200/300

51.      Alfred Czerepak (1928-1986) Pen & Ink, Wood Choppers, 103/4 x81/4”, Cond. Good, Signed.            200/300

52.      Harrison Cady (1875-1970) Pencil, Nymphs Swimming, 181/2 x15”, Cond. Good, Signed.           600/900

53.      Gordon Grant (1875-1962) Etching, Sunday in Port, 9 x12”, Cond. Very Good, Signed.           400/600

54.      Philip Little (1857-1942) Etching, Salem Harbor, 51/2 x10”, Cond. Very Good, Signed.          500/700

55.      Reynolds Beal (1867-1951) Etching, Rockport, 55/8 x77/8”, Cond. Very Good, Signed.           250/350

56.      Stow Wengenroth (1906-1978) Lithograph (ed. of 60), Wild Coast (Stuckey #349), 101/4 x151/2”, Cond. Very Good, Signed.         800/1,000

57.      William Meyerowitz (1898-1981) Drypoint Etching, Sticks in the Harbor, 7 x111/2”, Cond. Very Good, Signed.         300/500

58.      Lester Hornby (1882-1956) Etching, Rotterdam Dusk, 93/4 x71/2”, Cond. Good, Signed.           300/500

59.      Gordon Grant (1875-1962) Lithograph, The Lumber Wharf, 9 x12”, Cond. Good, Signed.           350/500

60.      Luigi Lucioni (1900-1988) Etching, Pattern of Trees, Vermont, 71/2 x111/2”, Cond. Very Good, Signed. 100/300

61.      William Meyerowitz (1898-1981) Etching, Central Park, 91/2 x7”, Cond. Fair, Signed.  500/700

62.      Gordon Grant (1875-1962) Etching, Rock Fisherman – Casting the Line, 83/4 x113/4”, Cond. Good, Signed.  300/500

63.      Gordon Grant (1875-1962) Colored Pencil Drawing, Dory, 71/2 x101/2”, Cond. Very Good, Signed.   700/900

64.      Reynolds Beal (1867-1951) Etching, “O” Boats Racing – Rockport, 41/4 x61/8”, Cond. Good, Signed.            250/350

65.      William Meyerowitz (1898-1981) Etching, Crucifixion, 10 x12”, Cond. Good, Signed.           500/700

66.      Anthony Thieme (1888-1954) Etching, Old Salt Barque, 31/2 x51/2”, Cond. Very Good, Signed.  300/500

67.      Anthony Thieme (1888-1954) Etching, Motif #1, 31/2 x51/2”, Cond. Good, Signed.           400/600

68.      Alan Crane (1901-1969) Lithograph, Cape Quarry, 91/2 x103/4”, Cond. Very Good, Signed.  300/500

69.      Lester Hornby (1882-1956) Etching (ed. of 40), Faneuil Hall from Quincy Market, 5 x73/4”, Cond. Very Good, Signed.         600/800

70.      Harrison Cady (1875-1970) Pen & Ink, Old Man Coyote‘s Disappointment, 61/4 x51/2”, Cond. Very Good, Signed.       400/600

71.      Gifford Beal (1879-1956) Drypoint Etching, Wounded Duck, 83/4 x113/4”, Cond. Good, Signed.            450/600

72.      Samuel Chamberlain (1895-1975) Etching, Barnegat Cottage, Marblehead, 8 x111/8“, Cond. Very Good, Signed.           500/700

73.      Harrison Cady (1875-1970) Pen & Ink, Careless or Crazy?, 61/4 x51/2”, Cond. Very Good, Signed.   400/600

74.      Attributed to Charles Woodbury (1864-1940) Etching, Salt Barque, 81/2 x101/2”, Cond. Good, Not Signed. 300/500

75.      Marguerite Pearson (1898-1978) Mixed Media Drawing, Portraits, 111/2 x151/4”, Cond. Excellent, Signed.  600/900

76.      William McNulty (1884-1963) Etching, The Coal Pocket, Gloucester, 51/2 x61/4”, Cond. Very Good, Signed.       300/500

77.      Stow Wengenroth (1906-1978) Lithograph (Stuckey #362) (ed. of 70), Lanesville Harbor, 107/16 x157/8”, Cond. Excellent, Signed.   700/900

78.      Ken Gore (1911-1991) Oil on Masonite, Cat-tails, 24 x16”, Cond. Very Good, Signed.           1,500/2,000

79.      Lillian Westcott Hale (1881-1963) Print, By the WIndow, 131/2 x11”, Cond. Good, Signed.            500/700

80.      Charles Woodbury (1864-1940) Etching, Old Kitchen, Interior, 10 x123/4”, Cond. Excellent, Signed.  400/600

81.      Lester Hornby (1882-1956) Color Aquatint, Tunis, 81/2 x113/4”, Cond. Very Good, Signed.  500/700

82.      Alfred Czerepak (1928-1986) Etching (#1 / ed. of 2), Disdain, 91/2 x83/4”, Cond. Good, Signed.            400/600

83.      Alan Crane (1901-1969) Lithograph (ed. of 35), Lobster Pots, 9 7/8 x14”, Cond. Very Good, Signed.   400/600

84.      Gifford Beal (1879-1956) Drypoint Etching, Figurehead, 111/2 x91/2”, Cond. Very Good, Signed.   400/600

85.      Stow Wengenroth (1906-1978) Lithograph (Stuckey #309), Old Quarry, Rockport, MA, 147/8 x11”, Cond. Very Good, Signed.    600/800

86.      Allan Davidson (1908-1988) Watercolor, Strawberry Blonde, 151/2 x131/2”, Cond. Very Good, Signed. 400/600

87.      Theresa Bernstein (1891-2002) Oil on Canvas Board, Good Harbor Beach, 16 x20”, Cond. Very Good, Signed.          2,000/3,000

88.      James Sessions (1882-1962) Watercolor, The Ship, 14 x18”, Cond. Very Good, Signed.           2,500/3,500

89.      James Sessions (1882-1962) Watercolor, A Lunenburg Fisherman, 14 x18”, Cond. Very Good, Signed.     2,500/3,500

90.      Ken Gore (1911-1991) Oil on Masonite, Gulls Over the Dunes, 24 x30”, Cond. Good, Signed.            4,000/6,000

91.      Joseph Rimini (1920-2000) Oil on Canvas, Landscape, 18 x24”, Cond. Very Good, Signed.           400/600

92.      Alfred Czerepak (1928-1986) Oil on Board, Scholar, 19 x10”, Cond. Very Good, Signed.           900/1,100

93.      Stow Wengenroth (1906-1978) Watercolor, Still Life with Butterfly, 153/4 x12”, Cond. Very Good, Signed.       900/1,200

94.      Otis Cook (1900-1980) Oil on Canvas, Rockport Harbor & Motif #1, 20 x24”, Cond. Fair, Signed.    2,000/3,000

95.      Otis Cook (1900-1980) Oil on Canvas, Pigeon Cove Harbor, 25 x30”, Cond. Good, Signed.            2,500/3,500

96.      David Wu Ject-Key (1890-1968) Oil on Canvas, Fall Field, 14 x18”, Cond. Good, Signed.           600/800

97.      Winifred Jackman Hibbard (1898-1986) Watercolor, Rural Vermont, 121/2 x181/2”, Cond. Very Good, Signed. 400/600

98.      Ken Gore (1911-1991) Oil on Masonite, Pattern of Winter, 30 x36”, Cond. Very Good, Signed.   4,000/6,000

99.      Bernard Corey (1914-2000) Oil on Board, Vermont Hillside, 9 x12”, Cond. Very Good, Signed.   900/1,200

100.    Bernard Corey (1914-2000) Oil on Board, End of a Bright Day, 9 x14”, Cond. Very Good, Signed.   900/1,200

101.    Mae Bennet Brown (1884-1972) Watercolor, 1st of May, 131/2 x111/2”, Cond. Very Good, Signed.   300/500

102.    Otis Cook (1900-1980) Oil on Board, Vermont, 12 x16”, Cond. Very Good, Signed.           400/600

103.    Lou Burnett (1907-1999) Oil on Canvas, Arrogance, 30 x20”, Cond. Good, Signed.           900/1,200

104.    Marguerite Pearson (1898-1978) Oil on Board, Portrait of Kathryn Morse (Mrs. C. Roy Morse), 10 x8”, Cond. Very Good, Signed.           900/1,200

105.    Marshall Joyce (1912-1998) Gouache/Watercolor, The Restless Sea, 133/4 x193/4”, Cond. Excellent, Signed.    1,200/1,500

106.    Joseph Rimini (1920-2000) Oil on Canvas, Gott Street, Rockport, 20 x24”, Cond. Fair, Signed.    700/900

107.    Alfred Czerepak (1928-1986) Painted Wood Carving, Flower & Butterfly, 131/2 x73/4”, Cond. Excellent, Signed.           400/600

108.    Alfred Czerepak (1928-1986) Watercolor, Guitar Player Profile, 121/2 x101/4”, Cond. Very Good, Signed. 900/1,200

109.    Chester L. Dodge (b.1880) Charcoal, Figure, 24 x18”, Cond. Good, Signed.           600/900

110.    William Meyerowitz (1898-1981) Pencil/Pastel on Paper, Beach with Figures, 71/2 x11”, Cond. Very Good, Signed.     200/400

111.    William Meyerowitz (1898-1981) Pencil/Pastel on Paper, Gloucester Street with Figures, 8 x101/2”, Cond. Very Good, Signed.        300/500

112.    Alfred Hutty (1877-1954) Etching (ed. of 75), New England Fishing Village, 61/2 x73/8”, Cond. Excellent, Signed.     500/700

113.    Charles Platt (1861-1933) Etching, Gloucester Harbor, 51/2 x91/2”, Cond. Very Good, Signed.   300/500

114.    Harry A. Vincent (1864-1931) Pencil, A Street in Rockport, 101/2 x131/4”, Cond. Good, Signed.            250/400

115.    William McNulty (1884-1963) Etching, Bearskin Neck, 41/4 x133/4”, Cond. Good, Signed.           400/600

116.    Stow Wengenroth (1906-1978), Lithograph (Stuckey #207), Midsummer Shade, Wiscasset, Maine, 123/8 x1713/16”, Cond. Very Good, Signed.  900/1,200

117.    Gordon Grant (1875-1962) Lithograph, Wings, 9 x111/2”, Cond. Very Good, Signed.           400/500

118.    Stow Wengenroth (1906-1978), Lithograph (Stuckey #103) (ed. of 214), New England Village, 73/8 x133/4”, Cond. Excellent, Signed.  700/900

119.    Stow Wengenroth (1906-1978), Lithograph (Stuckey #119), River Scene, New Hope, PA, 53/8 x93/4”, Cond. Good, Signed.            400/600

120.    Stow Wengenroth (1906-1978), Lithograph (Stuckey #140) (ed. of 75), New England Green, 11 x163/16”, Cond. Excellent, Signed.     800/1,000

121.    Harrison Cady (1875-1970) Pen & Ink, He Goes for Charity, 25 x193/4”, Cond. Fair, Signed.  1,200/1,500

122.    Leighton R. Cram (1895-1981) Oil on Board, Rooftops & Chimneys, 141/4 x171/2”, Cond. Excellent, Signed.  700/900

123.    Seymour Franks (1916-1981) Watercolor & Pastel, Rockport Quarry Road, 14 x17”, Cond. Excellent, Signed. 900/1,200

124.    William Meyerowitz (1898-1981) Oil on Canvas, Portrait of Theresa Bernstein, 35 x27”, Cond. Very Good , Signed.   4,000/6,000

125.    Anthony Thieme (1888-1954) Oil on Board, Hilltop Houses, 11 x171/2”, Cond. Good, Signed .           2,000/3,000

126.    Carl Peters (1897-1988) Oil on Canvas, Street to the Sea, Gloucester, 20 x24”, Cond. Very Good, Signed.           6,000/8,000

127.    Donald Blagge Barton (1903-1990) Oil on Canvas, Girl in a Blue Landscape (Portrait of Ellie Hershey), 24 x20”, Cond. Very Good, Signed.            1,000/1,500

128.    Aldro T. Hibbard (1886-1972) Oil on Canvas, Early Spring, 22 x32” Cond. Excellent, Signed.    10,000/12,000

129.    Robert Philipp (1895-1981) Oil on Canvas, Gloucester Fishermen‘s Italian Fiesta, 56 x40”, Cond. Fair, Signed.         6,000/8,000

130.    Attributed to Jane Peterson (1876-1965) Watercolor, Untitled, 20 x27”, Cond. Very Good, Not Signed.       2,000/3,000

131.    Attributed to George Renouard (1885-1954) Oil on Canvas, Seascape, 18 x22”, Cond. Very Good, Not Signed.         900/1,200

132.    Leighton R. Cram (1895-1981) Oil on Board, Sandscape, 131/2 x171/4”, Cond. Very Good, Signed.   700/900

133.    Leighton R. Cram (1895-1981) Oil on Board, The Quarry, 153/4 x191/2”, Cond. Excellent, Signed.    700/900

134.    Roger Curtis (1910-2000) Oil on Canvas, Seascape, 15 x30”, Cond. Very Good, Signed.           900/1,200

135.    Antonio Cirino (1888-1983) Oil on Canvas, New England Autumn, 20 x24”, Cond. Good, Signed.  5,000/7,000

136.    Maurice Compris (1885-1939) Oil on Canvas, Portrait of Pauline Jones Paull Hertel, 36 x30”, Cond. Good, Signed, (From Cirino Estate).    1,500/2,500

137.    Antonio Cirino (1888-1983) Oil on Canvas, Village in the Valley, 30 x36”, Cond. Good, Signed.  8,000/12,000

138.    Marjorie S. Garfield (b.1903, RAA 1932-1978) Watercolor, Rockport Harbor from Star Island, 1935, 20 x24”, Cond. Very Good, Signed.  600/900

139.    Marguerite Pearson (1898-1978) Oil on Canvas, Still Life, Flowers, 26 x40”, Cond. Fair, Signed.    4,000/5,000

140.    Stanley Woodward (1890-1970) Oil on Canvas, Seaside Cottage, 25 x27”, Cond. Good, Signed.  3,000/4,000

141.    Attributed to Alan Crane (1901-1969) Watercolor, Bullfighting, 171/2 x121/2”, Cond. Very Good, Not Signed.    400/600

142.    Alfred Czerepak (1928-1986) Mixed Media, Polish Village, 101/2 x81/4” Cond. Very Good, Signed.   400/600

143.    Bernard Corey (1914-2000) Oil on Board, Warren‘s View, 101/4 x131/2”, Cond. Very Good, Signed.   1,000/1,400

144.    Joseph Santoro (1908-1998) Watercolor, Burano Fishing Boats, 211/2 x291/2”, Cond. Very Good, Signed. 1,200/1,800

145.    Anthony Thieme (1888-1954) Oil on Canvas, After the Storm, 30 x36”, Cond. Excellent, Signed.    12,000/15,000

146.    W. Lester Stevens (1888-1969) Watercolor, The Old Boatyard, 22 x34”, Cond. Good, Signed.            2,000/3,000

147.    Francis Dixon (1879-1967) Oil on Canvas, Seascape, 8 x10”, Cond. Very Good, Signed.           600/800

148.    Lillian Adams (b.1899) Oil, Fisherman‘s Cove – Rocky Neck, E. Gloucester, 10 x12”, Cond. Good, Signed.          400/600

149.    Alan Crane (1901-1969) Watercolor, The Bull Fight, 191/2 x14”, Cond. Very Good, Signed.  600/800

150.    Agnes Richmond (1870-1964) Oil on Canvas, Waddell‘s Boatyard, Bearskin Neck, 20 x24”, Cond. Very Good, Signed.       4,000/6,000

151.    Aldro T. Hibbard (1886-1972) Oil on Board, Coastal Cape Ann, 171/2 x24”, Cond. Very Good, Signed.     3,000/4,000

152.    David Wu Ject-Key (1890-1968) Watercolor, Untitled, 163/4 x213/4”, Cond. Very Good, Signed.   1,500/2,000

153.    Thaddeus Klodnicki (RAA 1959-1981, d. 1982) Watercolor, Landscape, 18 1/2 x29”, Cond. Very Good, Signed.     500/700

154.    Attributed to W. Lester Stevens (1888-1969) Oil on Masonite, Seal Cove, 20 x24”, Cond. Good, Not Signed. 2,000/3,000

155.    James King Bonnar (1885-1961) Watercolor, Fisherman‘s Cove, 101/2 x141/4” Cond. Very Good, Signed. 500/700

156.    Helen van Wyk (1930-1994) Oil on Canvas, Grape Still Life, 12 x24”, Cond. Good, Signed.            600/800

157.    Alfred Czerepak (1928-1986) Acrylic on Paper Mounted on Board, Church in Valley of Budapest, 153/4 x12”, Cond. Good, Signed.          1,200/1,500

158.    Alfred Czerepak (1928-1986) Watercolor, Greek Church, 11 x15”, Cond. Very Good, Signed. 900/1,200

159.    Joseph Santoro (RAA 1954-1998, d.1998) Watercolor, Waterfall, 291/2 x211/4”, Cond. Very Good, Signed. 1,500/2,000