AUCTION 2008 CATALOG

AUCTION 2008 CATALOG

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Please note: All items are framed. Each catalog listing is followed by an estimate range.

Prices realized are in red.

1. J. A. Cook (1870-1936) Watercolor, The Black Schooner, 16 x 19 1/2”, Cond. Good, Signed. 500/700 550

2. Leighton R. Cram (1895-1981) Oil on canvas, Rocky Landscape, 18 x 20”, Cond. Good, Signed. 300/500 475

3. Reynolds Beal (1867-1951) Pencil & Watercolor, Gloucester Harbor - 1927, 14 1/2 x 21 1/4”, Cond. Good, Signed. 800/1,200 800

4. G. Cimiotti (1875-1969) Oil on canvas, Rockport Beach, 15 1/2 x 19 1/2”, Cond. Fair, Signed. 800/1,200 450

5. William Meyerowitz (1887-1981) Watercolor, In the Park, 15x 21 1/2”, Cond. Very Good, Signed. 1,000/1,500 600

6. Al Czerepak (1928-1986) Oil on board, Spring Planting,16 x 21 1/2”, Cond. Good, Signed. 1,000/1,500 6,400

7. Ruth Jewell (1908-1999) Oil on panel, Foggy Night, Rockport, 16 x 20”, Cond. Very Good, Signed. 1,800/2,200 2,000

8. George W. Harvey (1835-1920) Etching, Gloucester Harbor, 4 7/8 x 3 3/4”, Cond. Good, Signed. 100/200 300

9. Constantine Arvanites (1921-1998) Mixed Media, Collage #12, 7 x 4“, Cond. Very Good, Signed. 200/300 Pass

10. Stow Wengenroth (1906-1978) Lithograph, Rocky Ledge, Rockport, MA (Stuckey #344),

8 7/16 x 14 15/16”, Cond. Very Good, Signed. 500/700 400

11. Marguerite E. Peaslee (1901-1961) Oil on canvas, Rockport Morning, 12x 16”, Cond. Very Good, Signed. 300/500 450

12. George L. Noyes (1864-1954) Oil monotype on paper, Houses by a Pond, 3 1/4 x 3 3/4”, Cond. Good, Signed. 700/900 950

13. Nathaniel Dirk (1895-1961) Watercolor, Pigeon Cove, 7 1/4 x 10”, Cond. Good, Signed. 300/500 300

14. Attributed to Aldro T. Hibbard (1886-1972) Oil on canvas, Vermont Winter, 22 x 30”, Cond. Very Good
Estate Stamped on reverse. 4,000/6,000 3,600

15. George L. Noyes (1864-1954) Oil monotype on paper, Boats in Harbor, 3 1/4 x 3 3/4”, Cond. Good, Signed. 700 / 900 1,100

16. Nathaniel Dirk (1895-1961) Watercolor, Bathers & Rocks, 7 1/2 x 10”, Cond. Good, Signed. 300/500 300

17. Bernard Corey (1914-2000) Oil on board, Back Country, 8 x 12”, Cond. Good, Signed. 2,000/3,000 2,000

18. Stow Wengenroth (1906-1978) Lithograph, Rock Shadows, (Stuckey #332), 8 13/16 x 15 9/16”,

Cond. Very good, Signed. 500/700 400

19. Constantine Arvanites (1921-1998) Mixed Media, Collage #11, 7 x 4“, Cond. Very Good, Signed. 200/300 50

20. Lester Hornby (1882-1956) Etching, Vielles Maisons Reims, 8 x 5 1/2”, Cond. Good, Signed. 150/250 250

21. Stanley Woodward (1890-1970) Oil on canvas board, East Gloucester, 13 1/2 x 17 1/2”,

Cond. Very Good, Signed. 600/900 1,800

22. Theresa Bernstein (1891-2002) Oil on canvas board, Ghost Story, 20 x 16”, Cond. Good, Signed

(& titled on reverse). 1,500/2,500 1,100

23. George Demetrios (1896-1974) Pencil, Nude, 11 x 8 1/2”, Cond. Good, Signed. 200/400 400

24. George Demetrios (1896-1974) Pencil, Nude Reclining, 8 1/2 x 11”, Cond. Very Good, Signed. 300/500 375

25. Joseph Rimini (1920-2000) Oil on canvas, Gloucester Harbor, 24 x 36”, Cond. Good, Signed. 800/1,200 1,500

26. George L. Brown (19th Cent.) Watercolor, English Landscape, 5 x 8”, Cond. Fair, Signed.400/600 300

27. Al Czerepak (1928-1986) Acrylic on board, Rocky Neck, 13 x 9”, Cond. Very Good, Signed. 1,200/1,500 1,000

28. Al Czerepak (1928-1986) Gouache, Doina in Her Special Chair, 10 1/2 x 6 3/4”, Cond. Very Good, Signed. 600/800 250

29. Nathaniel Dirk (1895-1961) Watercolor, Untitled, 7 x 9 1/4“, Cond. Good, Signed. 300/500 Pass

30. Al Czerepak (1928-1986) Gouache, Ireland, 9 x 12”, Cond. Excellent, Signed. 800/1,000 700

31. Bernard Corey (1914-2000) Oil on canvas mounted on board, Seacoast, 9 1/4 x 14“, Cond. Good, Signed. 1,600/1,800 2,500

32. Reynolds Beal (1867-1951) Etching, Stonington, 7 7/8 x 11 1/4“, Cond. Good, Signed. 300/400 175

33. Reynolds Beal (1867-1951) Etching, Drifting for Mackerel, 11 1/2 x 16“, Cond. Good, Signed. 300/400 300

34. Attributed to Carl W. Peters (1897-1988) Oil on canvas, Fish Shack, 24 x 30”, Cond. Very Good, Estate Stamped. 5,000/8,000 4,400

35. Michael Stoffa (1923-2001) Oil on Linen, The Old Fish Shack, 16 x 20”, Cond. Very Good, Signed. 500/700 550

36. Louis Kronberg (1872-1965) Oil on canvas, A Rockport Lady, 16 x 20” Cond. Good, Signed (1940). 900/1,200 Pass

37. Charles Paul Gruppe (1860-1940) Oil on canvas, The Fisherman‘s House, 20 x 24”, Cond. Good, Signed. 1,200/1,600 4,600

38. Gianni Cilfone (1908-1990) Oil on canvas board, Gloucester Wharf, 16 x 14”, Cond. Good, Signed. 600/800 1,250

39. Louis C. Hankes (1882-1943) Oil on canvas board, Gloucester Schooners, 12 x 16”, Cond. Good, Signed. 400/600 1,300

40. Marian Williams Steele (1912-2001) Oil on board, Floral, 20 x 24”, Cond. Good, Signed. 700/900 700

41. stow wengenroth (1906-1978) Lithograph, Old Quarry, Rockport, MA (Stuckey #309), 14 7/8 x 11”,

Cond. Very Good, Signed. 500/700 400

42. Paul Strisik (1918-1998) Oil on canvas, Atlantic Surf, 24 x 30”, Cond. Good, Signed. 4,000/6,000 1,700

43. Anthony Thieme (1888-1954) Etching, Gloucester Dock, 7 x 4 3/4”, Cond. Good, Signed.200/400 475

44. Marguerite Pearson (1898-1978) Oil on canvas board, Autumn in Rockport, 20 x 24”, Cond. Good, Signed. 2,000/3,000 1,200

45. Reynolds Beal (1867-1951) Etching, Early Morning Fishing, 11 1/2 x 17 3/4”, Cond. Good, Signed. 300/400 375

46. Stow Wengenroth (1906-1978) Lithograph, Old Tree, Eastport, ME (Stuckey #5), 8 3/4 x 11 5/8”,

Cond. Very Good, Signed (inscribed to artist‘s wife). 500/700 400

47. Joseph Margulies (1896-1984) Watercolor, Sunny Day, Gloucester, 22 x 30”, Cond. Good, Signed. 500/700 500

48. Constantine Arvanites (1921-1998) Mixed Media, Collage #9, 7 1/4 x 4”, Cond. Very Good, Signed. 200/300 100

49. Marguerite Pearson (1898-1978) Oil on canvas board, Roses, 10 x 8”, Cond. Good, Signed. 300/500 1,350

50. Constantine Arvanites (1921-1998) Mixed Media, Collage #10, 7 1/4 x 4”, Cond. Very Good, Signed. 200/300 50

51. Stow Wengenroth (1906-1978) Lithograph, Caverned Waters, Rockport, MA (Stuckey #57),

8 5/16 x 13”, Cond. Very Good, Signed. 700/900 500

52. Marguerite Pearson (1898-1978) Oil on canvas, Lady in Blue with Harp, 30 x 36”, Cond. Good, Signed. 8,000/12,000 4,800

53. Bernard Corey (1914-2000) Oil on canvas mounted on board, Afternoon Pasture, 8 1/4 x 13 1/2”,

Cond. Good, Signed. 1,800/2,400 2,600

54. Marshall Joyce (1912-1998) Watercolor, In from the Sea, 10 1/2 x 14 1/2”, Cond. Very Good, Signed. 700/900 850

55. W. Lester Stevens (1888-1969) Oil on canvas, Atlantic Ave., Rockport, 16 x 18”, Cond. Good, Signed. 2,000/4,000 4,900

56. Paul Strisik (1918-1998) Oil, Quiet Meadows, 12 x 16”, Cond. Excellent, Signed. 1,500/2,500 2,800

57. Attributed to Albert Insley (1842-1937) Oil on canvas, Evening Services, Old Baptist Church, 9 x 12”,

Cond. Good, Not Signed. 800/1,000 Pass

58. Charles Demetropoulos (1912-1976) Watercolor, The Flower Seller, 13 1/2 x 19 3/4”,

Cond. Good, Signed. 400/600 475

59. Fred Cozzens (1846-1928) Watercolor, Tug at Sea, 11 x 20 1/2”, Cond. Good, Signed. 1,500/2,000 950

60. Joseph Rimini (1920-2000) Oil on canvas board, Gloucester Harbor, 8 x 10”, Cond. Good, Signed. 300/500 500

61. Frank Beatty (1899-1984) Oil on board, Betty Lou‘s Garden Class, 9 x 12”, Cond. Very Good, Signed. 400/600 450

62. Stow Wengenroth (1906-1978) Lithograph, Road to the Sea (Stuckey #96), 9 1/16 x 15 7/8”,

Cond. Very Good, Signed. 700/900 650

63. Harry Ballinger (1893-1993) Oil on canvas, Heading Out, 16x 20”, Cond. Very Good, Signed. 600/900 1,350

64. Stanley Woodward (1890-1970) Oil, Seascape, 16 x 20”, Cond. Good, Signed. 600/900 500

65. Otis Cook (1900-1980) Oil on canvas, Foggy Day, Pigeon Cove, 20 x 24”, Cond. Very Good, Signed. 1,500/2,500 4,200

66. H. Boylston Dummer (1878-1945) Pen & Ink Drawing, A Taste of His Own Medicine, 11 1/8 x 20”,

Cond. Very Good, Signed. 500/700 250

67. Marguerite Pearson (1898-1978) Oil on canvas board, Tulips, 16 x 12”, Cond. Good, Signed. 700/900 1,200

68. F. John Hilliard (b.1886) Etching, Ball des Artistes, 7 1/2 x 5“, Cond. Good, Signed. 300/500 300

69. Lester Hornby (1882-1956) Black Crayon, French Troops, 9 x 13”, Cond. Very Good, Signed. 300/500 425

70. Roger Curtis (1910-2000) Oil on canvas, Breakers, 24 x 36”, Cond. Very Good, Signed. 800/1,200 850

71. William Meyerowitz (1887-1981) Pencil on paper, Study for Gloucester Humoresque, 1923,

8 1/4 x 12 3/8”, Cond. Good, Signed. 700/900 1,075

72. Gifford Beal (1879-1956) Etching, Winter, Central Park, 18x 11 1/2“, Cond. Very Good, Signed. 500/700 325

73. Stow Wengenroth (1906-1978) Lithograph, Inlet Light (Stuckey #75), 8 1/8 x 12 3/4”,

Cond. Very Good, Signed. 400/600 425

74. Stow Wengenroth (1906-1978) Lithograph, Along the Shore (Stuckey #79), 10 x 14 1/2”,

Cond. Very Good, Signed. 450/650 450

75. W. Lester Stevens (1888-1969) Watercolor, Stormy Harbor, 18 1/2 x 25”, Cond. Good, Signed. 1,800/2,200 3,000

76. Reynolds Beal (1867-1951) Etching, Lobster Fisherman, 18 3/4 x 12”, Cond. Good, Signed. 200/400 425

77. Gordon Grant (1875-1962) Lithograph, Any Lobsters Today?, 9 x 12”, Cond. Good, Signed. 200/300 425

78. Gilbert T. Margeson (1852-1949) Oil on board, Crashing Waves, 20 x 29 1/2”, Cond. Fair, Signed. 700/900 600

79. Harry DeMaine (1880-1951) Watercolor, Motif #2, 12 1/2 x 15 1/2”, Cond. Good, Signed. 500/700 775

80. Frank W. Benson (1862-1951) Etching, Ducks Arising, 5 x 8”, Cond. Very Good, Signed. 400/600 275

81. H. Boylston Dummer (1878-1945) Pen & Ink Drawing, Illustration for Animal Town Aviators, c.1930,

7 x 11”, Cond. Very Good, Signed. 600/800 Pass

82. Jacob Greenleaf (1887-1968) Oil on canvas, Peaceful Harbor, Rockport, MA, 24 x 30”,

Cond. Very Good, Signed. 4,500/6,500 5,200

83. S. Ohrvel Carlson (1911-2006) Oil on canvas board, Cape Ann Seascape, 14 x 18”, Cond. Very Good, Signed. 700/900 Pass

84. Al Czerepak (1928-1986) Woodblock Print, Hauling in the Nets, 7 x 11”, Cond. Good, Signed. 200/400 225

85. Y.K. Kimmura (20th Cent.) Serigraph (ed. 71/88), Untitled, 10 3/4 x 10 1/4”, Cond. Very Good, Signed. 200/400 Pass

86. Joseph Santoro (1908-1998) Watercolor, Snow Scene, 21 x 29 1/2”, Cond. Good, Signed. 500/700 500

87. William Meyerowitz (1887-1981) Etching, Quarry, 8 x 9 3/4”, Cond. Good, Signed. 200/400 200

88. Harrison Cady (1875-1970) Graphite, The Hannah Jumper House, 13 x 21”, Cond. Fair, Signed (1920). 300/500 Pass

89. Marguerite E. Peaslee (1901-1961) Oil on canvas, Lanesville, Cape Ann, MA, 12 x 16”, Cond. Good, Signed. 400/600 325

90. Frederick Lincoln Stoddard (1861-1940) Watercolor & Goauche, In the Harbor, 10 1/2 x 14 1/2”,

Cond. Good, Signed. 400/600 225

91. William Meyerowitz (1887-1981) Etching, Gloucester Harbor, 6 1/2 x 8 1/4”, Cond. Good, Signed. 400/600 300

92. Harrison Cady (1875-1970) Graphite, Motif #2, 13 x 17 1/4”, Cond. Fair, Signed (1920). 300/500 450

93. Marshall Joyce (1912-1998) Watercolor, Hansen‘s Farm, 9 x 14”, Cond. Good, Signed. 300/500 675

94. Gordon Grant (1875-1962) Etching, Gloucester Wharves, 9 x 12”, Cond. Good, Signed. 200/400 375

95. Joseph Margulies (1896-1984) Watercolor, Gloucester 1944, 14 x 21”, Cond. Good, Signed. 200/400 450

96. Attributed to Al Czerepak (1928-1986) Wood Carving, Laughing Lion, 14 x 25”, Cond. Very Good,

Not Signed, (Ipswich Restaurant Sign from the 1970‘s). 1,500/2,500 500

97. Anthony Thieme (1888-1954) Etching, Boats at Dock, 9 3/4 x 7 3/4”, Cond. Good, Signed. 200/400 650

98. Al Czerepak (1928-1986) Pencil, Nude, 7 3/4 x 10 3/4”, Cond. Fair, Signed. 200/300 225

99. Jon Corbino (1905-1964) Oil on canvas, The New Hat (additional painting on reverse),

28 x 16”, Cond. Good, Signed. 2,000/4,000 2,500

100. Antonio Cirino (1888-1983) Oil on board, The Village Sanctuary, 7 3/4 x 9 7/8